Below find an abridged and web-friendly version of my current CV (updated December 2017). If you would like a full version formatted for print, which includes full contact information, references, and the like, please don't hesitate to contact me.
Ph.D. in English, Emory University, Atlanta, GA (Expected 2018)
Graduate certificate in Women’s, Gender, and Sexuality Studies
Dissertation: “Signs of Feeling Everywhere: Lyric Poetics, Posthumanist Ecologies, and Ethics in the Anthropocene”
Committee: Laura Otis (chair), Lynne Huffer, John Johnston, Walter Kalaidjian, and Katherine Hayles (external member, Duke University)
B.A. in English and Creative Writing, magna cum laude, Wellesley College, Wellesley, MA (2008)
Visiting Assistant Professor of Women's, Gender, and Sexuality Studies and Lecturer in English and Creative Writing, Emory University, 2018-present
Poetry and poetics; twentieth- and twenty-first century transatlantic literature; creative writing, including craft, editing, and publishing; critical theory; ecology, animal studies, and posthumanism, as well as their intersections with gender studies and critical race theory; affect and emotion; ethics.
O Spirit. (Full-length poetry collection.) Under consideration.
"Anthropocene Ethics and its Lapses: Lyric Eros and the Example of Sylvia Plath’s Bees." Under review.
“Of New Calligraphy: Seamus Heaney, Planetarity, and Lyric’s Uncanny Space-Walk.” Cultural Critique (forthcoming 2018).
"The Trouble You Promised: Reading Tracy K. Smith." Los Angeles Review of Books (forthcoming 2018).
“Carried Off to the World’s End: A Study of Alice Oswald in Five Parts.” Los Angeles Review of Books (3 January 2017).
“Violet and Violent: A Conversation with Melissa Green.” Los Angeles Review of Books (21 February 2016).
“Night Out of Many Many Bright Roses [on Rilke translations].” Rain Taxi Review of Books Online Edition (Summer 2015).
“This Trip Around the Sun is Expensive” (collaborative review). JERRY Magazine 9 (March 2015).
The Needle by Jennifer Grotz (review). Rain Taxi Review of Books Online Edition (Summer 2011).
Juvenilia by Ken Chen (microreview). Boston Review 36.1 (January/February 2011).
The Sore Throat and Other Poems by Aaron Kunin (review). Rain Taxi Review of Books 15.3 (Fall 2010). Reprinted on Powell’s Books’ Review-a-Day.
Leave Me Hidden by Franz Wright (review). Rain Taxi Review of Books 15.2 (Summer 2010). Print.
Restoration by Christina Pugh (microreview). Boston Review 35.3 (May/June 2010).
"O Spirit," "O Spirit," "Essay on Joy," and "Essay on Devotion." The Rumpus (May 2018).
“Windows.” POETRY (November 2017).
“Dear, beloved.” POETRY (April 2017).
“Chorus” and “Each one the other’s phantom limb in the sea.” BOAAT (January/February 2017).
“Orchards, I.” Berfrois (29 June 2016).
“Bear, II.” The Journal 40.2 (Spring 2016).
“And death demands a labor.” Adroit 16 (Spring 2016).
“Hound.” Witness XXIX.1 (Spring 2016).
“Luz.” Gulf Coast 28.1 (Winter/Spring 2016).
“Marigolds.” At Length (July 2015).
“Spring.” Boston Review (May/June 2015).
“The sly animals see at once how little at home we are in the interpreted world” and “For beauty is nothing but the beginning of terror.” MiPOesias (August 2014).
“As if from a Satellite in Distance Space, on a Winter Night.” PANK (July 2014).
“The Field” and "Bear." Anti– (June 2014).
Soundings: On the Poetry of Melissa Green. Arrowsmith Press, 2016. Edited with introduction.
Work in Progress
The Poetics of Ethics in the Anthropocene. (Book-length scholarly MS).
Participant in recurrent #ArtofPoetry discussion, sponsored by The Paris Review, with Danez Smith, Kamran Javadizadeh, and Kaveh Akbar.
"Dinnerview: Sumita Chakraborty." With Danielle Susi. Entropy (April 11, 2018).
"Rapid-Fire with Sumita Chakraborty." Shoreline Review (March 2018).
“Editors Talk Poetry Rejections: Sumita Chakraborty, AGNI.” Frontier Poetry (February 5, 2018).
“Reading List: November 2017.” PoetryFoundation.org (November 2017).
“Sumita Chakraborty on ‘Dear, beloved.” With Don Share and Lindsay Garbutt. Poetry Magazine Weekly Podcast (April 24, 2017).
“Reading List: April 2017.” PoetryFoundation.org (April 2017).
FELLOWSHIPS AND HONORS
Andrew M. Mellon Graduate Teaching Fellowship, Morehouse College (declined), 2017-8
Dean’s Teaching Fellowship, Emory University (declined), 2017-8
Anne & Bill Newton Graduate Fellowship, Emory University (declined), 2017-8
Emory Libraries Graduate Fellowship, Rose Library, Emory University (declined), 2017-8
Scholarly Inquiry and Research at Emory Graduate Fellowship, Emory University (declined), 2017-8
Scholarship to attend the Kenyon Playwright’s Conference, Kenyon College, 2015
Piedmont Project TATTO Fellowship in Sustainability, Teaching, and Curriculum, Emory University, 2014
Bursary to attend the T. S. Eliot International Summer School, University of London, 2013
George W. Woodruff Fellowship for Graduate Study, Emory University, 2012-7
Morris S. Smith Foundation Fellowship for Emerging Writers, Writers’ Room of Boston, 2009
Departmental Honors in English, Wellesley College, 2008
Florence Annette Wing Prize Memorial Prize for Lyric Poetry, Wellesley College, 2008
“The Lacunary Universe.” Society for Science, Literature, and the Arts (SLSA), Atlanta, GA (November 2016).
“Figuratively Speaking: On Feeling Badly.” American Comparative Literature Association (ACLA), Cambridge, MA (March 2016).
“Once More, With Feeling.” (Formerly titled “Cyborg Sensoriums.”) Society for Literature, Science, and the Arts (SLSA), Houston, TX (November 2015).
“My Dirty Little Heaven: Agony, Ecstasy, and Eros in Wangechi Mutu’s Sensual and Catastrophic Ecologies.” National Women’s Studies Association (NWSA), Milwaukee, WI (November 2015).
“‘This reality / is infection': H.D.’s Prismatic and Violent Ecologies.” American Literature Association (ALA), Boston, MA (May 2015).
“Heaney’s Uncanny Planet.” Modernist Studies Association (MSA), Pittsburgh, PA (November 2014).
“Eliot’s Dark Ecology.” South Atlantic Modern Language Association (SAMLA), Atlanta, GA (November 2013).
“Ambiguous and all but improbable: Marianne Moore, William Blake, and Observations.” Northeast Modern Language Association (NeMLA), New Brunswick, NJ (April 2011).
Creative Writing Talks
“Sweet, Fraught South: Readings and Incitements to Write from Place.” Split This Rock Poetry Festival: Poems of Provocation and Witness. Washington, D.C. (April 2018).
“Tools from the Craft of Editing: A Revision-Based Workshop.” Split This Rock Poetry Festival: Poems of Provocation and Witness, Washington, D. C. (April 2018).
“Into the Expanse: Reinventing the Contemporary Long Poem.” Association of Writers and Writing Programs (AWP), Tampa, FL (March 2018).
“‘The Word Doesn’t Mean Anything’: Craft, the Confessional, and Beyond.” Massachusetts Poetry Festival, Salem, MA (May 2017).
“The Craft of Editing Poetry.” Association of Writers and Writing Programs (AWP), Washington, D.C. (February 2017).
“Women Who Edit.” Association of Writers and Writing Programs (AWP), Los Angeles, CA (March 2016).
With Robin Beth Schaer, “Into the Expanse: Reinventing the Contemporary Long Poem.” Association of Writers and Writing Programs (AWP), Tampa, FL (March 2018).
“I Realigned the Cosmos: Lyric Poetry and Science.” Society for Science, Literature, and the Arts (SLSA), Atlanta, GA (November 2016).
With Margaret Greaves, “Cosmological Confluences.” Modernist Studies Association (MSA), Pittsburgh, PA (November 2014).
Reading and presentation. Georgia Writers’ Association. Kennesaw State University, Kennesaw, GA (September 2018).
Reading. Readings on The Commons series organized by Gretchen Marquette, Minneapolis, MN (August 2018).
Participant in panel discussion regarding literary publishing. Midwest Summer Publishing Institute. University of St. Thomas, Minneapolis, MN (June 2018).
“Anthropocene Ethics and its Lapses: Lyric Eros and the Example of Sylvia Plath’s Bees.” The Bill and Carol Fox Center for Humanistic Inquiry, Emory University, Atlanta, GA (March 2017).
Reading in “An Evening of Literature,” a reading co-sponsored by AGNI, 32 Poems, Poetry Quarterly, Denver Quarterly, and Poetry Northwest. Association of Writers and Writing Programs (AWP), Tampa, FL (March 2018).
“Scandalous Women in Poetry” and poetry workshop. Arrendale State Prison, organized by Emory University, Alto, GA (February 2018).
“Limits of Confession” and poetry workshop. Arrendale State Prison, organized by Emory University, Alto, GA (December 2017).
Reading and celebration of Howl for “The Dream Machine: The Beat Generation & the Counterculture, 1940-1975,” Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University (November 2017).
“Signs of Feeling Everywhere: The Posthuman Ethics of Lyric Emotion.” The Bill and Carol Fox Center for Humanistic Inquiry, Emory University, Atlanta, GA (November 2017).
Reading at Young Writers’ Festival at Galerie éof, Paris; guest lecture at Lycée International de l’Est Parisien, Noisy-le-Grand. Co-organized by the Poetry Foundation (United States) and Double Change (France), Paris, France (October 2017).
“Posthumanism and Plath.” Graduate Student Organization of the Department of Women’s, Gender, and Sexuality Studies, Emory University, Atlanta, GA (March 2014).
“Heaney’s Uncanny Planet.” Department of English Graduate Recruitment Colloquium, Emory University, Atlanta, GA (February 2014).
Duke Feminist Theory Workshop, Duke University, March 24-25, 2017.
Participant in Academic Learning Community on the Environmental Humanities, Emory University, 2016-2017.
Participant in Andrew M. Mellon Sawyer Seminar on New Scholarship in the Affects, Emory University, 2016-7.
Instructor of Record (Emory University)
ENGL 205: Poetry, Spring 2017
ENGL 181: Women Writing Extraordinary Ecologies (Writing About Literature), Spring 2015
ENGL 101: Nonhumans (Expository Writing), Fall 2014
ENG 204: Literary Journalism, Providence College, November 2016
ENGL 190/NBB 190: Languages of Emotion, November 2016
ENGCW 271: Introduction to Poetry Writing, October 2016
ENGL 3140: Editing for Publications, Georgia State University, February 2016
ENGCW 271: Introduction to Poetry Writing, February 2015
ENGL 251: American Literature Since 1850, February 2014
ENGL 251: American Literature Since 1850, Emory University, Spring 2014
ENGL 250: American Literature To 1850, Emory University, Fall 2013
WRIT 126: Writing Tutorial, Wellesley College, Spring 2007 and Spring 2008
Poetry Instructor, PEN New England Prison Writing Program, Boston, MA, 2010–2012
ENGL 789R: Pedagogy of Literature, Emory University, Spring 2016
ENGL 791: Issues in Composition Pedagogy, Emory University, Fall 2013
Teaching Assistant Training and Teaching Opportunity (TATTO) Program, Laney Graduate School, Emory University, August 2013
Poetry Editor, AGNI Magazine, 2016-present
Art Editor, At Length, 2016-present
Guest Editor, The Alphabet (multimedia collaborative art project by Anna Schuleit Haber), Summer 2015
Assistant Poetry Editor, AGNI Magazine, 2008-16
Editorial Assistant, AGNI Magazine, 2006-2008
CURATORIAL AND DIGITAL HUMANITIES EXPERIENCE
Research and data collection, Digital Danowski, a collaboration between the Stuart A. Rose Manuscript, Archives, and Rare Books Library and the Emory Center for Digital Scholarship, Emory University, 2014-2015
Graduate student encoder, The Complete Prose of T. S. Eliot, Emory Center for Digital Scholarship and the Lewis H. Beck Center for Electronic Collections (in tandem with the print edition from Johns Hopkins UP), Emory University, 2012-2014
Graduate Student Mentor, Department of English, Emory University, 2014-2018
Certificate Program Representative, Women's, Gender, and Sexuality Studies Graduate Committee, Emory University, 2014-7
Kemp Malone Lecture Committee, Emory University (chair in 2015-6), 2013-2017
Co-organizer, Twentieth-Century Poetry Reading Group, Emory University, 2013-2015
Co-coordinator, English Graduate Recruitment, Emory University, January 2013
French (proficient in reading, writing, and speaking)
Italian (proficient in reading)
Spanish (proficient in speaking and reading)
Other information, including references, complete contact information, professional affiliations, and more, are available on the print or PDF version of my CV. If you are interested in a copy, please feel welcome to contact me.
The image behind the overlay: Orchid and Bee (Glass Flowers) by Leopold and Rudolf Blaschka. See it in full, and full color, here.